Review: ‘Solvent’ tosses Nazism into the pits of hell
Johannes Grenzfurthner delivers bold body horror.
Review: Leeroy Stagger provides cathartic release with ‘3 AM Revelations’
Stagger’s 13th album is his best yet.
Review: ‘Mickey Hardaway,’ a harrowing tale of one Black man’s pain
Marcellus Cox delivers a powerful, poignant tale about Black trauma.
Review: ‘Carved’ is a spooky B-movie romp
Justin Harding turns his short into a bloody good time.
Review: Loyd’s ‘Get a Taste’ is peak dance-pop
Loyd shoots for the stars on new album.
Review: ‘Mr. Crocket,’ a demented Mister Rogers
Brandon Espy’s new feature delivers on the gore and violence but lacks story bite.
Review: Sam Sample leaves quite an imprint with ‘I’m Moving to the Moon’
Sample’s debut album impressively mixes folk and indie/rock.
Review: ‘Daddy’s Head’ depicts the staggering stages of grief
Benjamin Barfoot’s new feature confronts the tragedy of death and grief.
Review: ‘Bleeding’ tells a harrowing tale of addiction
Andrew Bell doesn’t hold back with his latest feature.
Interview: Renee Maskin delivers eerie haunted house metaphor with ‘Sage’
Renee Maskin chats scary stuff and songwriting.
Premiere: The Imaginaries conjure up darkness with ‘Crossroads’
The duo’s new song is perfect for spooky season.
Review: Sukh floats through love and grace with ‘Heading East’ album
Sukh’s new album is a mood-drenched getaway.
Premiere: Conor Donohue trudges through a ‘Wasteland’ of anxiety
Donohue’s new song captures anxiety of 2020.
Review: ‘Haunt Season’ arrives as one of the best modern slashers
Jake Jarvi’s new feature makes quite a splash.
Interview: Directors Wesley Taylor and Alex Wyse chat ‘Summoning Sylvia’
Wesley Taylor and Alex Wyse chat about their film Summoning Sylvia.
