Review: ‘Screamboat’ triumphantly sets sail
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
Bullinger’s double-album comes to a thematic climax.
Alex Hera stretches her short film into a full-length feature.
Jeremy Brothers and Nick Paonessa’s new film scares up a good time.
The Kaye Adelaide feature pours gasoline on influencer culture.
Daniel DelPurgatorio’s feature debut flips the script on the slasher.
Dave Jackson and Guy’s new collaboration fails to terrify.
Robbie Banfitch’s sophomore effort doesn’t quite live up to The Outwaters.
Myles McEwen and Ripley Stevens attempt melding traditional shots with found-footage to lackluster results.
Alex Williams, Jay Drakulic, and Mallory Drumm achieve a truly unsettling picture.
Nick Wernham’s offering is as grim as they get.
Ehrland Hollingsworth delivers the goods on his sophomore feature.
This year’s festival promises all the chills and thrills.
Moore makes a devilish splash with her new EP, Final Girl.
B-Sides & Badlands would most certainly not be here without you, dear reader, and the love of celebrating good music and indie-horror.
As the media landscape continues to devour itself, and we hope it does stabilize soon, we want to continue bringing you the content you so crave. In order to do that, and perhaps recoup some of the expenses of keeping a blog afloat, we ask you to make even a tiny donation to the cause.
$1 will go a long way to keep independent thinking and creating alive.
Yours Cruelly,
Bee Scott