Premiere: Ethan Samuel Brown reconciles with the 10-year town on ‘Being Blue’
Brown’s new song is a haunting depiction of the Nashville struggle.
Black Christmas, a grueling art-piece of male aggression & female power
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark’s 1974 slasher.
Review: ‘Quantum Suicide’ collapses into itself
Gerrit Van Woudenberg’s debut shows great promise, despite its many cracks.
Interview: Polaroid Fade prepare to take over the world
The indie band electrify on their debut album.
Review: Itch! offers poignant psychological terror
Bari Kang’s new feature delivers emotional poignancy.
Premiere: John Calvin unpacks the weight of death in ‘She Might Be a Song’
Calvin reflects on the death of a close friend.
Review: ‘You Are Not Me’ delivers taut storytelling and eerie Christmas scares
Marisa Crespo and Moisés Romera’s new queer horror delivers on all fronts.
Review: ‘Pater Noster and the Mission of Light’ casts a hypnotic aura
Christopher Bickel’s new film delivers bold creative choices.
Premiere: Nick Gusman & the Coyotes dissect the ‘Sound of a Broken Heart’
Gusman and his musical companions hit the open road to escape their pain.
Review: ‘Hunting Matthew Nichols’ spins chilling mystery
Markian Tarasiuk’s latest offering explores a decades-old cold case.
The Singles Bar: Serinity dances away heartache with ‘Went to New York”
Serinity works through the pain.
Review: Tara Craig exposes raw beauty on self-titled album
Craig’s sophomore album provokes an emotional response.
Review: ‘The Creep Tapes’ delivers all the chills you could want
Patrice Brice and Mark Duplass’ new TV series hits a homerun.
Review: ‘Solvent’ tosses Nazism into the pits of hell
Johannes Grenzfurthner delivers bold body horror.
Review: Leeroy Stagger provides cathartic release with ‘3 AM Revelations’
Stagger’s 13th album is his best yet.
