The Singles Bar: LIZ zaps us back to the ’90s with ‘L in Lover’
LIZ absolutely glows.
Overlook Film Festival 2026: ‘American Dollhouse’ brings evil next door
Writer/director John Valley delivers a strong look into modern life.
Review: Freidrich$ gathers career-best songs for compilation, ‘I Wanna Be Adored: The Best of Freidrich$’
The writer/singer/producer swings for the fences.
Panic Fest 2026: 10 Most Anticipated Films
The 14th Panic Fest looks off the chain!
Overlook Film Festival 2026: 10 Most Anticipated Films
The 2026 festival looks to be packed with bangers.
Interview: Don’t call ‘Faces of Death’ (2026) a remake
Director/co-writer Daniel Goldhaber and co-writer/producer Isa Mazzei discuss exhuming a new vision of terror.
Unnamed Footage Festival 2026: ‘Looky-Loo Part II’ goes to an unexpected place
Filmmaker Jason Zink outpaces the first film.
Unnamed Footage Festival 2026: ‘Infirmary’ will make your blood run cold
Filmmaker Nicholas Pineda injects fear directly into the veins.
Review: ‘A Desert’ sets flame to love, art, and existence
Joshua Erkman impresses with his feature film debut.
Unnamed Footage Festival 2026: ‘The Killing Cell’ is a slaughtering good time
James Bessey and Karsen Schovajsa have a hit on their hands.
Unnamed Footage Festival 2026: ‘This House is Totally Haunted’ turns the creep on high
Sean Nichols Lynch expands his deranged world.
Unnamed Footage Festival 2026: ‘Frogman Returns’ births outrageous world-building
Anthony Cousins has a franchise on his hands.
Unnamed Footage Festival 2026: ‘We Put the World to Sleep’ will hurt your brain
Adrian Tofei does it again!
Interview: Colum Eastwood’s ‘The Morrigan’ speaks to the current cultural moment
Writer/director Colum Eastwood details his latest film, rooted in Irish mythology.
Unnamed Footage Festival 2026: ‘Content’ will make you cringe (complimentary)
Writer/director Adam Meilech delivers a doozy of a screenlife film.
