Review: Jake Cassman sinks into life’s watery depths on ‘Idling High’
Cassman’s new record strikes hot to the heart.
Bee Delores
Editor-in-Chief of the Badlands, spinning those B-Sides. Love Parks & Rec. Addicted to high-priced coffee drinks, alt-country and synth-pop, and never know when to quit. Got three cats named Jake, Olivia and Fitz --and they don't like you very much.
Review: ‘Night of the Reaper’ fits in with such classic ’80s slashers as ‘He Knows You’re Alone’
Brandon Cristensen’s new feature delights in creepy scares.
Review: ‘Don’t Trip’ stumbles before leaping over the finish line
Alex Kugelman’s debut film shows some promise.
Review: Short film ‘Projection’ shows great promise
Ari Groobman impresses with a new short
My Horror Anatomy: Tom Blake dives deeper into horrifying storytelling
The poet and music journalist gives us his five most transformative horror movies.
My Horror Anatomy: Josaleigh Pollett sinks their teeth into the macabre
The singer-songwriter gives us their five transformative horror movies.
Review: Ava Valianti blossoms on debut EP, ‘Petunias’
Valianti’s debut is a must-listen!
Interview: The Noisy’s Sara Mae unleashes hell with new deluxe album
The Noisy go the extra mile with a deluxe edition of their debut LP.
Brooklyn Horror 2025: ‘Crushed,’ a nihilistic and perverse film that lacks nuance and value
Simon Rumley’s isn’t worth your time.
Review: ‘Fey’ is found footage gold
Madeline Doherty’s feature film directorial debut chills to the bone.
Review: 2LOT & Albert Harvey collide with new mix EP
The group’s new EP packs a cosmic punch.
Brooklyn Horror 2025: ‘Dead Lover,’ ‘It Needs Eyes,’ ‘Parasomnia,’ & ‘Camp’
A round-up of films out of the Brooklyn Horror Film Festival.
Brooklyn Horror 2025: ‘Abigail Before Beatrice’ nails the traumatic impact of cults
Cassie Keet knocks it out of the park with her second feature.
Brooklyn Horror 2025: ‘Queens of the Dead’ is what camp is made of
Tina Romero leaves a very queer stamp on zombie films.
Brooklyn Horror 2025: ‘Violence’ puts the pedal to the metal
Conor Marsden’s feature directorial debut goes hard.
