Review: ‘The Djinn’ splinters the senses
David Charbonier and Justin Powell’s second feature film is a masterclass of low-key storytelling.
David Charbonier and Justin Powell’s second feature film is a masterclass of low-key storytelling.
Alternative duo reflect upon a formative trauma from their youth.
Alex Noyer’s directorial debut examines trauma, pain, and the birth of a monster.
Karl Holt’s horror comedy takes to task pressures placed on millennials.
Neil Marshall’s latest feature tries to make a statement about age-old misogyny.
Vincenzo Nappi’s new short film fits snuggly in the same universe as ‘Host.’
Amelia Moses’ latest feature examine hunger for fame.
Anthony Scott Burns’ new film is a perfect slice of sleep paralysis.
The indie-rock musician goes hard into the pavement with an adventurous new set.
Cody Calahan’s new feature film hits hard on the importance of stories in our lives.
The follow-up to Yeon Sang-ho landmark Train to Busan attempts to recapture the original’s magic.
Wade’s debut record drenches in pain and wisdom.
Jill Gevargizian’s new horror film taps into suffocating loneliness.
The Americana singer-songwriter pieces together vintage and new footage.
Jacob Johnston tosses his hat into the slasher ring with his new feature.
B-Sides & Badlands would most certainly not be here without you, dear reader, and the love of celebrating good music and indie-horror.
As the media landscape continues to devour itself, and we hope it does stabilize soon, we want to continue bringing you the content you so crave. In order to do that, and perhaps recoup some of the expenses of keeping a blog afloat, we ask you to make even a tiny donation to the cause.
$1 will go a long way to keep independent thinking and creating alive.
Yours Cruelly,
Bee Scott