Delusion and pain in ‘Saint Maud’ & ‘Censor’
Both films depict the tragedy which lies with those who never recovery from trauma
Both films depict the tragedy which lies with those who never recovery from trauma
George A. Romero’s long-lost “film” The Amusement Park presents aging as a nightmarish wonderland.
Amelia Moses’ latest feature examine hunger for fame.
Anthony Scott Burns’ new film is a perfect slice of sleep paralysis.
Emerald Fennell’s directorial debut is flashy and goes for a knockout punch.
Now streaming on Hulu, what could have been a fabulous queer Christmas film is actually quite harmful.
Christopher Landon’s new slasher flick is a queer wonderland.
A re-imagination of H.G. Wells’ iconic novel explores domestic violence, paranoia, and escape.
The 2006 remake of 1974’s classic Black Christmas is heavy on the gore, light on the character and suspense.
B-Sides & Badlands revisits the entire Child’s Play franchise and makes a case for the upcoming 2019 remake.
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark’s 1974 slasher.
Non-binary musicians Rae Spoon, Shawnee and T. Thomason discuss what the industry is like, their coming out stories and what the LGBTQIA+ needs to do next, post-PWR BTTM controversy.
Lady Gaga, Troye Sivan, Hayley Kiyoko, my my my!
EIC writes a personal essay about identity and a country album breaking down barriers.
Fellow writers and bloggers share their thoughts on Urban’s latest offering.