Interview: ‘The Curse’ director Kenichi Ugana on the dangers of social media & favorite scene from ‘Braindead’
Kenichi Ugana chats with us about his latest film.
Horror Movies
Review: ‘213 Bones’ sits comfortably next to ‘Urban Legend’
Jeffrey Primm’s first and last feature film takes us back to the 1990s.
Review: ‘Good Boy’ to become a modern classic
Ben Leonberg’s new film flips genre expectations.
Fantastic Fest 2025: ‘Meat Kills’ is deadly fun
Martijn Smit’s new feature is to die for.
Fantastic Fest 2025: ‘Dolly,’ ’13 Days Until Summer,’ & ‘A Woman Called Mother’
Fantastic Fest provided plenty of chills and thrills this year.
Review: ‘The Man with the Black Umbrella’ is a found footage treasure
Ricky Umberger’s latest scares up a good time.
Fantastic Fest 2025: ‘Coyotes’ is better than it has any right to be
Colin Minihan sinks his teeth into a scrumptious treat.
Fantastic Fest 2025: ‘The Restoration of Grayson Manor’ leans into soap opera theatrics
Glenn McQuaid delivers the goods with his new feature film.
Review: ‘We’re So Dead’ makes for a perfect Christmas treat
Ken MacLaughlin delivers a hilarious new film.
Fantastic Fest 2025: ‘The Curse’ roots around in the underbelly of social media
Kenichi Ugana offers up a solid new film.
Fantastic Fest 2025: ‘Bad Haircut’ offers a decent good time
Kyle Misak’s new feature goes hard for the jugular with laughs and terror.
FrightFest 2025: ‘A Night of Violence’ fails to reach ‘Mayhem’ levels of chaos
Illya Konstantin’s new film is a decent viewing experience.
Popcorn Frights 2025: ‘Crossword’ emerges from the festival as the best entry
Michael Vlamis delivers all the punches with his new feature.
FrightFest 2025: APPOFENIACS taps into today’s very real AI dangers
Chris Marrs Piliero’s feature film debut shatters expectations.
Popcorn Frights 2025: ‘Alan at Night’ energizes the found footage genre
Jesse Swenson’s new film is a certified banger.
