Fantasia Festival 2025: ‘Hold the Fort’ is a laugh riot
William Bagley’s new feature is a hoot ‘n a half.
Horror Movies
Review: ‘All Alone Together’ digs its teeth into a mental health crisis
Maximus Jenkins’ new film goes for the 1-2 sucker punch.
Revew: ‘Hell House LLC: Lineage’ perfectly caps the found footage series
Cognetti gives the series a haunting conclusion.
Review: ‘A Whisper, A Scream, and A Cut to Black’ marries found footage with slasher tendencies
Samuel B.’s new future expertly combines two styles into a terrifying result.
Fantasia Fest 2025: Here are 5 films we’re most excited to see
From absurdism to folk horror, these are the 5 horror films we’re most excited to see.
Review: ‘Eye for an Eye’ is a real sinister treat
Colin Tilley’s directorial debut feature goes to dark places.
Review: ‘Freelance’ captures the grim reality of freelancing
John Balazs’ latest feature goes for shock and awe.
Review: ‘Shadow of God’ fails to generate an enlightened take on religious horror
Michael Peterson’s new feature sadly treads water.
Review: ‘Best Wishes to All’ questions the state of happiness
Yûta Shimotsu digs deep into humanity for his latest feature.
Overlook Film Festival 2025: ‘Redux Redux’ reinvents revenge
The McManus Brothers thrill the audience with a genre exercise.
Review: Short film ‘RAT!’ tears down toxic parasocial relationships
Neal Suresh Mulani’s short goes hard.
Review: ‘Screamboat’ triumphantly sets sail
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
Unnamed Footage Festival 2025: ‘What I Remember’ explores gender and a tragic disappearance
Alex Hera stretches her short film into a full-length feature.
Unnamed Footage Festival 2025: ‘McCurdy Point’ casts a haunting genre spell
Jeremy Brothers and Nick Paonessa’s new film scares up a good time.
Unnamed Footage Festival 2025: ‘The Rebrand’ sets fire to influencer culture
The Kaye Adelaide feature pours gasoline on influencer culture.
