Review: ‘Marshmallow’ is perfect summer camp fun
Daniel DelPurgatorio’s feature debut flips the script on the slasher.
Horror Movies
Unnamed Film Festival 2025: The Unsolved Love Hotel Murder Case Incident should have been forgotten
Dave Jackson and Guy’s new collaboration fails to terrify.
Unnamed Footage Festival 2025: ‘Tinsman Road’ swerves and stalls in thriller territory
Robbie Banfitch’s sophomore effort doesn’t quite live up to The Outwaters.
Unnamed Footage Festival: ‘Nightfall: A Paranormal Investigation’ commits the worst crime of all — being boring
Myles McEwen and Ripley Stevens attempt melding traditional shots with found-footage to lackluster results.
Unnamed Footage Festival 2025: ‘Dream Eater’ consumes and spits you out
Alex Williams, Jay Drakulic, and Mallory Drumm achieve a truly unsettling picture.
Unnamed Footage Festival 2025: ‘The Lost Episode’ offers grim ending to a police ride-along
Nick Wernham’s offering is as grim as they get.
Unnamed Footage Festival 2025: ‘Dooba Dooba’ delivers demented dread
Ehrland Hollingsworth delivers the goods on his sophomore feature.
Here are three feature films we’re most hyped to see at Unnamed Footage Festival 2025
This year’s festival promises all the chills and thrills.
Review: ‘What Happened to Suzy?’ keeps you on the edge of your seat
James Ersted’s new film is one helluva mystery.
Review: found footage film ‘UrbEx’ soaks you in paranoia
Bill Howard’s latest offering offers up plenty of tension.
Review: ‘Get Away’ swerves when you least expect it
Steffen Haars’ new feature is the year’s first big surprise.
Review: ‘Eat the Night’ delivers a sucker punch ending
Caroline Poggi and Jonathan Vinel’s sophomore effort goes for the jugular.
Black Christmas, a grueling art-piece of male aggression & female power
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark’s 1974 slasher.
Review: ‘Quantum Suicide’ collapses into itself
Gerrit Van Woudenberg’s debut shows great promise, despite its many cracks.
Review: Itch! offers poignant psychological terror
Bari Kang’s new feature delivers emotional poignancy.
