Review: ‘Screamboat’ triumphantly sets sail
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
Reviews
Review: Chris Bullinger finds acceptance with ‘Waitin’ to Be Seen’ – Part 2
Bullinger’s double-album comes to a thematic climax.
Review: ZZ Ward finds ‘Liberation’
ZZ Ward is as fierce as ever.
Review: Party Nails throws a genre-bending rainbow party
Party Nails goes for broke.
Review: ‘Quantum Suicide’ collapses into itself
Gerrit Van Woudenberg’s debut shows great promise, despite its many cracks.
Review: Itch! offers poignant psychological terror
Bari Kang’s new feature delivers emotional poignancy.
Review: ‘You Are Not Me’ delivers taut storytelling and eerie Christmas scares
Marisa Crespo and Moisés Romera’s new queer horror delivers on all fronts.
Review: ‘Hunting Matthew Nichols’ spins chilling mystery
Markian Tarasiuk’s latest offering explores a decades-old cold case.
Review: Tara Craig exposes raw beauty on self-titled album
Craig’s sophomore album provokes an emotional response.
Review: ‘The Creep Tapes’ delivers all the chills you could want
Patrice Brice and Mark Duplass’ new TV series hits a homerun.
Review: ‘Solvent’ tosses Nazism into the pits of hell
Johannes Grenzfurthner delivers bold body horror.
Review: Leeroy Stagger provides cathartic release with ‘3 AM Revelations’
Stagger’s 13th album is his best yet.
Review: ‘Mickey Hardaway,’ a harrowing tale of one Black man’s pain
Marcellus Cox delivers a powerful, poignant tale about Black trauma.
Review: ‘Carved’ is a spooky B-movie romp
Justin Harding turns his short into a bloody good time.
Review: Loyd’s ‘Get a Taste’ is peak dance-pop
Loyd shoots for the stars on new album.
