Fantasia Fest 2021: ‘The Righteous’ tests limits of faith, grief, and past sins
Mark O’Brien’s feature film directorial debut is a knockout punch.
Mark O’Brien’s feature film directorial debut is a knockout punch.
Edoardo Vitaletti’s debut feature film is quite an impressive, moving feat.
In our first feature film capsule roundup, we dive into dangers of the internet, relationships, and the future.
Our first roundup of short films features… dicks. Lots of dicks.
Julien Knafo’s new feature is a delightful, thoughtful romp.
Rasmus Merivoo’s new feature retools the kratt myth for a wonderful new tale.
The Bola Ogun-directed short film is scrumptious.
Mickey Reece’s new feature film is not what meets the eye.
Justin Powell and David Charbonier’s new feature film is a nail-biting treat.
Both films depict the tragedy which lies with those who never recovery from trauma
George A. Romero’s long-lost “film” The Amusement Park presents aging as a nightmarish wonderland.
David Charbonier and Justin Powell’s second feature film is a masterclass of low-key storytelling.
Alex Noyer’s directorial debut examines trauma, pain, and the birth of a monster.
Neil Marshall’s latest feature tries to make a statement about age-old misogyny.
Vincenzo Nappi’s new short film fits snuggly in the same universe as ‘Host.’