Review: ‘Time Now’ confronts grief with a soft poignancy
Spencer King’s new feature film unravels with excruciatingly slow pace.
Spencer King’s new feature film unravels with excruciatingly slow pace.
Christian Nilsson’s new feature keeps character and story very low-scale.
Simon Barrett’s directorial feature debut feels ripped right out of the Urban Legend playbook.
The latest V/H/S entry is mixed, yet will crawl under your skin just the same.
With the third edition of a new review series, we zoom in on the work of Mickey Guyton, The Blue Iris, and Jake Wesley Rogers.
Meghan Weinstein’s new feature film is outlandish and cutting.
Robert Gregson’s new short horror film chills to the bone.
With the second edition of a new review series, we zoom in on the work of Sam Williams, L Devine, Mercy Bell, and M.A.G.S.
FrightFest 2021 delivered in more ways than one.
Rob Jabbaz’s feature directorial debut is not for the faint of heart.
With the launch of a new review series, we zoom in on the work of Tayls, Kalie Short, Ben Platt, and Izzy Heltai.
Daniel de la Vega’s latest feature gives further meaning to trauma.
In our second feature film capsule roundup, we dive into dangers of the post-apocalyptic world, a coven, addiction, and grief.
Anna Zaytseva’s latest feature is a relentless portrayal of suicidal ideation and the role of social media in mental health.
Mark O’Brien’s feature film directorial debut is a knockout punch.