Review: Willow Stephens unearths thematic treasures on debut album, ‘All That Glitters’
A debut album rarely sparkles, but it sure does in the Stephens’ capable hands.
Reviews
Review: ‘In Fabric’ is a wacky peek at consumerism
There’s nothing more absurd than a killer dress.
Review: Netflix’s ‘Dracula’ mini-series is a hyper-sexual feast
Now streaming, the new incarnation of the iconic vampire gets new, glossy updates.
Review: ‘When We Dance the Music Dies’ is a psychological disturbia
The one-hour indie thriller explores a girl’s mysterious disappearance and the impact of trauma.
Review: ‘Black Christmas’ 2019 is a world-burning triumph.
Writer April Wolfe and writer/director Sophia Takal reimagine the 1974 classic into a victory statement.
Review: Big Little Lions carve out mental health storybook with latest album, ‘Inside Voice’
The folk-pop duo demonstrate continued strength as storytellers on their latest LP.
Review: ‘NEKROTRONIC’ is an epic, colorful & action-packed riot
Hitting Shudder this week, the film mixes vast horror genres into one bubbling melting pot.
Premiere: Monica Aben undergoes love’s many cycles with new album, ‘In Your Universe’
The Venice musician journeys from love to heartbreak and back again.
‘Creepshow,’ Season 1, each story ranked
From By the Silver Water of Lake Champlain to Times is Tough in Musky Holler, we rank the show’s first season.
Review: Bror Gunnar Jansson clips out murder cases for new album, ‘They Found My Body in a Bag’
The Swedish singer-songwriter dives into a dark dissection of murder on his new album.
‘Nightmare Cinema,’ each story ranked
The anthology film twists from gory slashers to psychological thrillers.
LOVECRAFT, a howling, blood-sucking collective
A new musical collective further confirm that horror-pop is truly beginning to flourish.
Review: Lauren Pratt plants & nurtures a stalwart ‘Young American Sycamore’ on new album
The young powerhouse utilizes great Biblical imagery to find herself on her debut album.
Review: ‘Gwen’ mangles folk horror with devastating realism
New to Shudder, Gwen plays in folk horror and flips all expectations.
Review: ‘The Furies’ buries the patriarchy in female retribution
A new Shudder original, the woodlands slasher goes for blood, guts and gore galore.
