Review: ‘Carnage for Christmas’ brings bloody holiday cheer
Alice Maio Mackay’s new feature is a crowning moment.
Reviews
Review: ‘Detained’ keeps the twists comin’
Felipe Mucci’s new feature packs on the turns to keep you hooked.
Review: ‘Oddity,’ an oddball mix of fear and sadness
Damian McCarthy’s latest creeps under the skin.
Track-By-Track: Ladybird reflects on life with new album, ‘Amy Come on Home’
The alt-country band’s new album is one of 2024’s finest.
Review: ‘Double Blind’ offers cutting commentary on pharmaceutical companies
Ian Hunt-Duffy’s new feature incisive comments on the dangers of clinical drug trials.
Review: ‘Latency’ lacks real bite
Croke’s new film fails to rev its engines.
Review: ‘The People in the Walls’ fails to break through
Michael Crum’s new feature is an unfortunate mess.
Review: ‘Wild Eyed and Wicked’ genre bends horror and fantasy
Gordon Shoemaker Foxwood’s new feature blurs the lines between horror and fantasy.
Review: ‘In a Violent Nature,’ a day in the life of serial killer
Chris Nash’s slasher offering flips the script.
Review: ‘Pandemonium’ ponders death and the afterlife
Quarxx’s new film asks existential questions about death.
Review: Fox and Bones delivers spotless new album, ‘Long Time Honey’
The folk/rock duo leave no stone unturned with their best record to-date.
Review: awfultune unpacks ‘unreleased demos II’ with new release
The singer-songwriter’s latest demo package is a must-listen.
Review: Winona Oak plunges into the ‘Void’ with new EP
Oak’s new EP tackles death and grief with profound significance.
Review: Sasha Atlas rises and falls with ‘Howl’ EP package
Atlas’ new video is a stunning setpiece.
Review: Joshua Hyslop reaches a career-high with raw, vulnerable ‘Evergold’
Hyslop’s sixth album is his best yet.
