Review: ‘We’re So Dead’ makes for a perfect Christmas treat
Ken MacLaughlin delivers a hilarious new film.
Reviews
Fantastic Fest 2025: ‘The Curse’ roots around in the underbelly of social media
Kenichi Ugana offers up a solid new film.
Fantastic Fest 2025: ‘Bad Haircut’ offers a decent good time
Kyle Misak’s new feature goes hard for the jugular with laughs and terror.
Review: Frank Hannon delivers evocative solo album, ‘Reflections’
The TESLA band member delivers a haunting instrumental set.
Review: Hughes flies high with long-awaited self-titled album
Benji Straker moves mountains with Hughes’ debut LP.
FrightFest 2025: ‘A Night of Violence’ fails to reach ‘Mayhem’ levels of chaos
Illya Konstantin’s new film is a decent viewing experience.
Review: The Imaginaries reach dizzying new heights with ‘Fever’
The folk duo knocks it out of the park with their new album.
Popcorn Frights 2025: ‘Crossword’ emerges from the festival as the best entry
Michael Vlamis delivers all the punches with his new feature.
Review: The Lone Canary delivers one of 2025’s best albums, ‘Dime Store Horses’
The folk/Americana duo unleashes one of the year’s most evocative records.
Review: Robert Jon & The Wreck reach new pinnacle with latest album, ‘Heartbreaks & Last Goodbyes’
The rock band’s new album is their best yet.
FrightFest 2025: APPOFENIACS taps into today’s very real AI dangers
Chris Marrs Piliero’s feature film debut shatters expectations.
Review: Billy Raffoul finally makes a rock record with ‘When I Cross the River’
Raffoul’s new album is the summer’s must-hear albums.
Popcorn Frights 2025: ‘Alan at Night’ energizes the found footage genre
Jesse Swenson’s new film is a certified banger.
Review: Dren McDonald conjures magic with ‘Stay: Forever Home Vol. 1 CHAOS’ game soundtrack
McDonald’s new project is a healing experience.
Fantasia Festival 2025: ‘Foreigner,’ a bizarre, timely slice of disturbia
Ava Maria Safai’s first feature is an unsettling one.
