Review: ‘The People in the Walls’ fails to break through
Michael Crum’s new feature is an unfortunate mess.
Reviews
Review: ‘Wild Eyed and Wicked’ genre bends horror and fantasy
Gordon Shoemaker Foxwood’s new feature blurs the lines between horror and fantasy.
Review: ‘In a Violent Nature,’ a day in the life of serial killer
Chris Nash’s slasher offering flips the script.
Review: ‘Pandemonium’ ponders death and the afterlife
Quarxx’s new film asks existential questions about death.
Review: Fox and Bones delivers spotless new album, ‘Long Time Honey’
The folk/rock duo leave no stone unturned with their best record to-date.
Review: awfultune unpacks ‘unreleased demos II’ with new release
The singer-songwriter’s latest demo package is a must-listen.
Review: Winona Oak plunges into the ‘Void’ with new EP
Oak’s new EP tackles death and grief with profound significance.
Review: Sasha Atlas rises and falls with ‘Howl’ EP package
Atlas’ new video is a stunning setpiece.
Review: Joshua Hyslop reaches a career-high with raw, vulnerable ‘Evergold’
Hyslop’s sixth album is his best yet.
Review: PEGGY mixes magic and literature on ‘Dear Reader’ EP
PEGGY’s debut brims with brilliance.
Review: ‘Welcome Week’ delivers strong genre frights
The new anthology delivers all the bloody goods.
Review: Cooper Point Rd makes big splash with self-titled EP
The collective’s debut offering will leave you haunted.
Review: ‘Infested,’ guaranteed to make you squirm
Sébastien Vanicek’s debut will make you toss your cookies.
Review: BANNERS leaps into the sun with new album, ‘All Back to Mine’
Michael Nelson’s new offering is joyous and irresistible.
Review: ‘Horror in the High Desert 3: Firewatch’ holds its chilling cards close to the vest
Dutch Marich hits another home run in his ongoing ‘Horror in the High Desert’ series.
