Review: BANNERS leaps into the sun with new album, ‘All Back to Mine’
Michael Nelson’s new offering is joyous and irresistible.
Reviews
Review: ‘Horror in the High Desert 3: Firewatch’ holds its chilling cards close to the vest
Dutch Marich hits another home run in his ongoing ‘Horror in the High Desert’ series.
Review: ‘Late Night with the Devil’ transmits terrible frights
Cameron and Colin Cairnes deliver a found footage flick to be remembered.
Review: The Northern Belle clean out cobwebs and ‘Bats in the Attic’ on new album
The Norwegian band prove once again they’re not to be missed.
Review: ‘Easter Bloody Easter’ is as silly as it sounds
Diane Foster’s feature directorial debut is a camp classic in the making.
Review: ‘You’ll Never Find Me’ is a ticking timebomb of tension and mood
Josiah Allen and Indiana Bell impress with their directorial debut.
Review: ‘They Are Watching’ plunges into the depths of the dark web
J.M. Stelly’s latest feature creeps beneath the fingernails.
Review: ‘Camp Pleasant Lake’ knocks off ‘Friday the 13th’ & ‘Scream’ — and it’s a blast
Thomas Walton’s latest feature is an ode to slashers.
Review: Tucker Riggleman & the Cheap Dates deconstruct loneliness & isolation on ‘Restless Spirit’
The WV-based band reaches new heights on new album.
Review: ‘The Blackwell Ghost 8’ chokes you and won’t let go
Turner Clay’s latest foray into the unknown will send chills down your spine.
Review: Grant Glad & the Soo Line Loons tell ‘One Man’s Story’ on new album
The singer-songwriter captures the scope of human existence
Review: Teen slasher ‘Departing Seniors’ castrates systemic hatred against a super gay backdrop
Clare Cooney’s feature film directorial debut throbs with a tremendous amount of heart.
Review: The Sweeplings twists together life’s sorrow, tragedy, and hope on self-titled album
The band’s new album drags you through life’s darkest moments.
Review: ‘The Power of the Strike’ draws upon Giallo influence for a dark revenge tale
Filmmaker Dima Barch uses classic techniques for a surprising watch.
Review: ‘When the Trash Man Knocks’ is pure ’80s sleaze
Christopher Wesley Moore’s new feature goes hard into ’80s slasher sleaze.
