Review: ‘American Trash,’ a startling look at morality and apathetic humanity
Robert LaSardo’s new film is a complicated but fascinating glimpse into human nature.
Reviews
Review: Asa Stone flies with atmospheric debut, ‘Songs from the Apocalypse’
Asa Stone’s debut is a must-listen new album.
Review: Jackson Breit creates seductive elixirs with new ‘Covers 2’ EP
Breit’s secod covers collection goes hard.
Review: Simona-Valentina marks through life’s tragic beauty with ‘Mirrors & Feathers’
Simona-Valentine’s debut is a mystical journey through life.
Review: ‘Eye for an Eye’ is a real sinister treat
Colin Tilley’s directorial debut feature goes to dark places.
American Mile take snapshots of life with new album, ‘American Dream’
The group’s new album digs into small-town living.
Review: ‘Freelance’ captures the grim reality of freelancing
John Balazs’ latest feature goes for shock and awe.
Review: Jason Lenyer Buchanan delivers one of the year’s best with ‘Under a Thumbnail Moon’ EP
Buchanan doesn’t hold back on his new EP
Review: The Ram collides with love and living on new album, ‘I Am Nowhere, I Am Everywhere’
Mark O’Donnell’s new album explores love, living, and time.
Review: ‘Shadow of God’ fails to generate an enlightened take on religious horror
Michael Peterson’s new feature sadly treads water.
Review: ‘Best Wishes to All’ questions the state of happiness
Yûta Shimotsu digs deep into humanity for his latest feature.
Review: SYML crushed beneath the weight of time with ‘Nobody Lives Here’
SYML reaches new creative heights with his new album.
Overlook Film Festival 2025: ‘Redux Redux’ reinvents revenge
The McManus Brothers thrill the audience with a genre exercise.
Review: Short film ‘RAT!’ tears down toxic parasocial relationships
Neal Suresh Mulani’s short goes hard.
Review: ‘Screamboat’ triumphantly sets sail
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
