Review: ‘Deep Fear’ delves into underground mayhem
Streaming on Screambox tomorrow, Gregory Beghin’s new film digs into the catacombs.
Reviews
Review: Deadstream is a hilarious and horrifying delight
The found footage flick perfectly marries humor and horror.
FrightFest 2022: August Edition Round-Up
Four films. Each with a particular thirst for blood.
Review: ‘The Andy Baker Tape’ tackles collective loneliness and influencer culture
Bret Lada’s new found footage film supplies plenty of irresistible scares.
Review: Short film ‘Girls Night In’ guts the Bechdel test
Alison Robert’s new short horror film dissects treatment of women in fiction
Review: Sasha Alex Sloan lights the match with ‘I Blame the World’
The pop songwriter reaches new songwriting heights.
Review: ‘Offseason’ is a spiritual remake of ‘Carnival of Souls’
Mickey Keating’s new feature is heavy on style and theme.
Review: ’18 And A Half’ runs high on aesthetic fumes
Willa Fitzgerald shines in director Dan Mirvish’s new feature.
Review: ‘Air Doll’ tracks a sex doll’s existential crisis
Hirokazu Kore-eda’s long-awaited film has finally arrived in the states.
Review: ‘Time Now’ confronts grief with a soft poignancy
Spencer King’s new feature film unravels with excruciatingly slow pace.
Review: ‘DASHCAM’ proves to be a suffocatingly tense thriller
Christian Nilsson’s new feature keeps character and story very low-scale.
Review: ‘Seance’ pays its respects to messy late ’90s teen slashers
Simon Barrett’s directorial feature debut feels ripped right out of the Urban Legend playbook.
Review: ‘V/H/S/94’ delivers creepy chills and graphic thrills
The latest V/H/S entry is mixed, yet will crawl under your skin just the same.
Record Revue: Mickey Guyton, The Blue Iris, and Jake Wesley Rogers
With the third edition of a new review series, we zoom in on the work of Mickey Guyton, The Blue Iris, and Jake Wesley Rogers.
Review: ‘The Influencer’ outrageously satirizes, well, influencer culture
Meghan Weinstein’s new feature film is outlandish and cutting.
