Brooklyn Horror 2025: ‘Crushed,’ a nihilistic and perverse film that lacks nuance and value
Simon Rumley’s isn’t worth your time.
Review: ‘Fey’ is found footage gold
Madeline Doherty’s feature film directorial debut chills to the bone.
Review: 2LOT & Albert Harvey collide with new mix EP
The group’s new EP packs a cosmic punch.
Brooklyn Horror 2025: ‘Dead Lover,’ ‘It Needs Eyes,’ ‘Parasomnia,’ & ‘Camp’
A round-up of films out of the Brooklyn Horror Film Festival.
Brooklyn Horror 2025: ‘Abigail Before Beatrice’ nails the traumatic impact of cults
Cassie Keet knocks it out of the park with her second feature.
Brooklyn Horror 2025: ‘Queens of the Dead’ is what camp is made of
Tina Romero leaves a very queer stamp on zombie films.
Brooklyn Horror 2025: ‘Violence’ puts the pedal to the metal
Conor Marsden’s feature directorial debut goes hard.
Review: Terra Renae gives all she has with new acoustic sessions set
Renae strips back cuts from her debut album.
ScreamFest 2025: ‘Theatre is Dead,’ ‘Damned If You Do,’ ‘Pitfall,’ ‘Love is the Monster,’ & ‘A Fishermen’s Tale’
Our final ScreamFest roundup features two must-see bangers.
Review: ‘Jabberjaw’ is a reminder to never go camping in the woods
Luke Genton goes for simple scares with his latest feature.
Review: Jana Varga strips things back with near-acoustic new album, ‘Chicory’
Varga’s new work is one of the best of 2025.
ScreamFest 2025: ‘Jimmy,’ ‘CognAItive,’ ‘The Dollmaker,’ & ‘The Devil Whispered My Name’
A round-up of four films out of ScreamFest 2025.
ScreamFest 2025: ‘The Red Mask’ is a smash in the making
Ritesh Gupta’s new feature is a delightful meta-slasher that turns everything on its head.
Review: Hooyoosay gives classics a facelift with ‘Discover This Cover’ EP
The collective tickles the senses with bubbly covers.
ScreamFest 2025: ‘Dead by Dawn’ will make you yawn
Dawid Torrone’s debut is an unfortunate strikeout.
