Review: ‘Good Boy’ to become a modern classic
Ben Leonberg’s new film flips genre expectations.
Fantastic Fest 2025: ‘Body Blow’ is a queer noir wet dream
Dean Francis teases the audience with his very queer new noir.
Fantastic Fest 2025: ‘Meat Kills’ is deadly fun
Martijn Smit’s new feature is to die for.
Fantastic Fest 2025: ‘Dolly,’ ’13 Days Until Summer,’ & ‘A Woman Called Mother’
Fantastic Fest provided plenty of chills and thrills this year.
Review: ‘The Man with the Black Umbrella’ is a found footage treasure
Ricky Umberger’s latest scares up a good time.
Fantastic Fest 2025: ‘Coyotes’ is better than it has any right to be
Colin Minihan sinks his teeth into a scrumptious treat.
Review: Bad Self Portraits delve into the mind with ‘I Think I’m Going to Hell’ debut
The indie rock band make quite a splash.
Fantastic Fest 2025: ‘The Restoration of Grayson Manor’ leans into soap opera theatrics
Glenn McQuaid delivers the goods with his new feature film.
Review: ‘We’re So Dead’ makes for a perfect Christmas treat
Ken MacLaughlin delivers a hilarious new film.
Fantastic Fest 2025: ‘The Curse’ roots around in the underbelly of social media
Kenichi Ugana offers up a solid new film.
Fantastic Fest 2025: ‘Bad Haircut’ offers a decent good time
Kyle Misak’s new feature goes hard for the jugular with laughs and terror.
Review: Frank Hannon delivers evocative solo album, ‘Reflections’
The TESLA band member delivers a haunting instrumental set.
My Horror Anatomy: Emile Milgrim of Las Nubes offers intoxicating sounds
Emile Milgrim delivers the five horror films that have stayed with them most.
Review: Hughes flies high with long-awaited self-titled album
Benji Straker moves mountains with Hughes’ debut LP.
FrightFest 2025: ‘A Night of Violence’ fails to reach ‘Mayhem’ levels of chaos
Illya Konstantin’s new film is a decent viewing experience.
