Interview: ‘The Curse’ director Kenichi Ugana on the dangers of social media & favorite scene from ‘Braindead’
Kenichi Ugana chats with us about his latest film.
Review: Tara Craig & Goodbye, Beautiful team up for defiant double singles
The new songs offer hope and resistance.
Review: ‘Day of a Lion’ roars with quiet persistence
Bianca and Dilar Foscht mostly deliver the goods with their new feature.
Review: SOZI replays summer vibes on her ‘Dream’ EP
The pop artist flexes her creative wings and soars.
Review: ‘213 Bones’ sits comfortably next to ‘Urban Legend’
Jeffrey Primm’s first and last feature film takes us back to the 1990s.
Interview: AloneKitty wander through a sonic haze
AloneKitty’s Michelle K. talks new song “Stay the Same,” forthcoming album, and lessons learned
Review: ‘Good Boy’ to become a modern classic
Ben Leonberg’s new film flips genre expectations.
Fantastic Fest 2025: ‘Body Blow’ is a queer noir wet dream
Dean Francis teases the audience with his very queer new noir.
Fantastic Fest 2025: ‘Meat Kills’ is deadly fun
Martijn Smit’s new feature is to die for.
Fantastic Fest 2025: ‘Dolly,’ ’13 Days Until Summer,’ & ‘A Woman Called Mother’
Fantastic Fest provided plenty of chills and thrills this year.
Review: ‘The Man with the Black Umbrella’ is a found footage treasure
Ricky Umberger’s latest scares up a good time.
Fantastic Fest 2025: ‘Coyotes’ is better than it has any right to be
Colin Minihan sinks his teeth into a scrumptious treat.
Review: Bad Self Portraits delve into the mind with ‘I Think I’m Going to Hell’ debut
The indie rock band make quite a splash.
Fantastic Fest 2025: ‘The Restoration of Grayson Manor’ leans into soap opera theatrics
Glenn McQuaid delivers the goods with his new feature film.
Review: ‘We’re So Dead’ makes for a perfect Christmas treat
Ken MacLaughlin delivers a hilarious new film.
