The Singles Bar: Anne Stott colors in muted tones with ‘Future Ruin’
Stott’s new song unsettles the emotions.
Interview: PIMMER strikes thematic platinum with ‘Distant Dam’
Sanford Schaffer discusses his new creative indie-rock endeavour.
Review: ‘Ganymede’ takes Christian extremism to task
Colby Holt and Sam Probst deliver a stirring portrayal of being queer and faith.
Review: ‘Carnage for Christmas’ brings bloody holiday cheer
Alice Maio Mackay’s new feature is a crowning moment.
Review: ‘Detained’ keeps the twists comin’
Felipe Mucci’s new feature packs on the turns to keep you hooked.
Interview: Christina Ward is just a ‘Darkstar’ flying in orbit
Ward’s new song is a hypnotic slice of sonic heaven.
Premiere: Paula Boggs Band captures troubling times with live ‘America 2020’ performance
Boggs doesn’t suffer fools with a new live performance.
Premiere: Heather Pierson encourages the listener to ‘Feel Something’ with new song
Pierson’s latest is a infectious jazz-inflected number.
Premiere: Billy Eli shares story song about a man ‘Getting Out of Denver’
Eli’s new song is essential listening.
Review: ‘Oddity,’ an oddball mix of fear and sadness
Damian McCarthy’s latest creeps under the skin.
Track-By-Track: Ladybird reflects on life with new album, ‘Amy Come on Home’
The alt-country band’s new album is one of 2024’s finest.
Review: ‘Double Blind’ offers cutting commentary on pharmaceutical companies
Ian Hunt-Duffy’s new feature incisive comments on the dangers of clinical drug trials.
Review: ‘Latency’ lacks real bite
Croke’s new film fails to rev its engines.
Review: ‘The People in the Walls’ fails to break through
Michael Crum’s new feature is an unfortunate mess.
Review: ‘Wild Eyed and Wicked’ genre bends horror and fantasy
Gordon Shoemaker Foxwood’s new feature blurs the lines between horror and fantasy.
