Review: ‘A Whisper, A Scream, and A Cut to Black’ marries found footage with slasher tendencies
Samuel B.’s new future expertly combines two styles into a terrifying result.
Review: ‘American Trash,’ a startling look at morality and apathetic humanity
Robert LaSardo’s new film is a complicated but fascinating glimpse into human nature.
Fantasia Fest 2025: Here are 5 films we’re most excited to see
From absurdism to folk horror, these are the 5 horror films we’re most excited to see.
Review: Asa Stone flies with atmospheric debut, ‘Songs from the Apocalypse’
Asa Stone’s debut is a must-listen new album.
Review: Jackson Breit creates seductive elixirs with new ‘Covers 2’ EP
Breit’s secod covers collection goes hard.
Review: Simona-Valentina marks through life’s tragic beauty with ‘Mirrors & Feathers’
Simona-Valentine’s debut is a mystical journey through life.
Review: ‘Eye for an Eye’ is a real sinister treat
Colin Tilley’s directorial debut feature goes to dark places.
Interview: Neon Rayon shoots musical sparks into the cosmos
The band is not of this world.
American Mile take snapshots of life with new album, ‘American Dream’
The group’s new album digs into small-town living.
Review: ‘Freelance’ captures the grim reality of freelancing
John Balazs’ latest feature goes for shock and awe.
Review: Jason Lenyer Buchanan delivers one of the year’s best with ‘Under a Thumbnail Moon’ EP
Buchanan doesn’t hold back on his new EP
Review: The Ram collides with love and living on new album, ‘I Am Nowhere, I Am Everywhere’
Mark O’Donnell’s new album explores love, living, and time.
Interview: My Son the Doctor leave it all on the stage
The indie band believes in going big with its debut LP.
Review: ‘Shadow of God’ fails to generate an enlightened take on religious horror
Michael Peterson’s new feature sadly treads water.
Review: ‘Best Wishes to All’ questions the state of happiness
Yûta Shimotsu digs deep into humanity for his latest feature.
