Interview: Lane Moore gets scary, talks horror movies, Final Girls, and music
Moore makes a devilish splash with her new EP, Final Girl.
Premiere: Underlined Passages captures a fleeting moment in ‘brkn’ video
The indie band reflects upon brokenness and renewal
Interview: Le Big Zero bursts at the seams
The indie band are unafraid to tread new waters.
Review: ‘What Happened to Suzy?’ keeps you on the edge of your seat
James Ersted’s new film is one helluva mystery.
Interview: Van der Saar shakes you awake
Allan Lewis digs in his heels on his new EP, ‘Knights.’
The Singles Bar: Anne Stott dances away the world’s problems with ‘Love’s the Only High’
Stott’s new track is a surefire banger.
Review: found footage film ‘UrbEx’ soaks you in paranoia
Bill Howard’s latest offering offers up plenty of tension.
Premiere: C. Daniel Boling provides heartwarming video, ‘Maya, I Adore You’
Boling’s new offering is a sweet little ditty.
Review: Party Nails throws a genre-bending rainbow party
Party Nails goes for broke.
Review: ‘Get Away’ swerves when you least expect it
Steffen Haars’ new feature is the year’s first big surprise.
Review: ‘Eat the Night’ delivers a sucker punch ending
Caroline Poggi and Jonathan Vinel’s sophomore effort goes for the jugular.
Premiere: Mark Ciani wanders through ‘Some Kind of Purgatory’ in new video
Ciani’s new video captures the heaviness of heartbreak.
Interview: Alpha Rabbit take love to space
The indie band shoot love into the cosmos with their latest “Tempatures” video.
Premiere: Ethan Samuel Brown reconciles with the 10-year town on ‘Being Blue’
Brown’s new song is a haunting depiction of the Nashville struggle.
Black Christmas, a grueling art-piece of male aggression & female power
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark’s 1974 slasher.
