Spider One’s Big Baby makes a case for one of the year’s best slashers. For slasher fans of the classic ’80s style, the indie film perfectly captures the spirit and
Spider One’s Big Baby makes a case for one of the year’s best slashers. For slasher fans of the classic ’80s style, the indie film perfectly captures the spirit and
For Pride Month 2026, B-Sides & Badlands isย raising money for The Trevor Project. Our celebration of queerness features interviews with filmmakers and artists, reviews of queer horror and albums, and
Influencer Horror is all the rage these days. Especially on the indie circuit, the subgenre is easy to tap into and exploit for some good frights. And who doesn’t love
Paul Etheredge changed the game with Hellbent, the first gay slasher. While it may have been overlooked or dismissed in the early 2000s, it has only grown in popularity over
For Pride Month 2026, B-Sides & Badlands isย raising money for The Trevor Project. Our celebration of queerness features interviews with filmmakers and artists, reviews of queer horror and albums, and
While everyone’s obsessed with Curry Barker’s Obsession and Kane Parsons’ Backrooms (for good reason!), folks are seriously sleeping on Daniel J. Phillips’ Diabolicโor at least severely underappreciating the work. In
For Pride Month 2026, B-Sides & Badlands isย raising money for The Trevor Project. Our celebration of queerness features interviews with filmmakers and artists, reviews of queer horror and albums, and
For Pride Month 2026, B-Sides & Badlands is raising money for The Trevor Project. Our celebration of queerness features interviews with filmmakers and artists, reviews of queer horror and albums,
If you spend any amount of time on TikTok, specifically, you’ll likely stumble across Tradwife-Tok. It’s a very real thingโwomen teaching their viewers how to be a tradwife, or teaching
Scary muppets wasn’t something I really needed until I saw The Fuzzies (review) earlier this year. With his new short film, Tasty Bones, writer/director Ronald Short keeps the frightening, fuzzy
Three years ago, I wrote a piece for Flood detailing the Slasher Renaissance. I never expected how much the subgenre would balloon out since then. Today, slashers are all the
During the ongoing Slasher Renaissance, it’s easy to get lost in a sea of knockoffs and retreads. Eric Huskisson and P.J. Starks’ New Fears Eve feels both fresh and familiar.
Surrealist horror takes monstrous shape in Justin Streichman and Gustine Fรผdickar’s Lady Puritan. It’s a film that injects a David Lynch sensibility directly into the veins. And that’s no easy
Horror has a serious horror/musical problem. Where are all the horror musicals?!? In a genre that has such foundational films as The Rocky Horror Picture Show and Little Shop of
The great thing about horror is that it’s every genre fused into one. There’s horror/comedy, horror/action, horror/thriller, etc. As with Matt Webb’s The Recluse, it perfectly teeters around the edges