Record Revue: Mickey Guyton, The Blue Iris, and Jake Wesley Rogers
With the third edition of a new review series, we zoom in on the work of Mickey Guyton, The Blue Iris, and Jake Wesley Rogers.
With the third edition of a new review series, we zoom in on the work of Mickey Guyton, The Blue Iris, and Jake Wesley Rogers.
Meghan Weinstein’s new feature film is outlandish and cutting.
The singer-songwriter digs far below the surface to celebrate inner beauty.
Robert Gregson’s new short horror film chills to the bone.
With the second edition of a new review series, we zoom in on the work of Sam Williams, L Devine, Mercy Bell, and M.A.G.S.
FrightFest 2021 delivered in more ways than one.
Rob Jabbaz’s feature directorial debut is not for the faint of heart.
With the launch of a new review series, we zoom in on the work of Tayls, Kalie Short, Ben Platt, and Izzy Heltai.
Daniel de la Vega’s latest feature gives further meaning to trauma.
In our second feature film capsule roundup, we dive into dangers of the post-apocalyptic world, a coven, addiction, and grief.
Anna Zaytseva’s latest feature is a relentless portrayal of suicidal ideation and the role of social media in mental health.
Mark O’Brien’s feature film directorial debut is a knockout punch.
Edoardo Vitaletti’s debut feature film is quite an impressive, moving feat.
In our first feature film capsule roundup, we dive into dangers of the internet, relationships, and the future.
Our first roundup of short films features… dicks. Lots of dicks.