Record Revue: Crystal Boxersox, Eddie the Kidd, Fickle Friends & The Whitmore Sisters
The very first album round-up of the year sets a high bar for 2022.
Bee Delores
Editor-in-Chief of the Badlands, spinning those B-Sides. Love Parks & Rec. Addicted to high-priced coffee drinks, alt-country and synth-pop, and never know when to quit. Got three cats named Jake, Olivia and Fitz --and they don't like you very much.
Interview: Dennis Leise doesn’t serve up metaphor, just delicious eggs
The Indiana-based singer-songwriter discusses change and pressures of modern living.
22 Favorite Albums & EPs of 2021
2021 was a treasure trove of musical treats. These are our favorites.
21 Favorite Horror Films Of 2021
2021 was a treasure trove of horror treats. These are our favorites.
Record Revue: Tommy Atkins, Miko Marks, and Nya
With the fourth edition of a new review series, we zoom in on the work of Miko Marks & the Resurrectors, Tommy Atkins, and Nya.
Review: ‘Time Now’ confronts grief with a soft poignancy
Spencer King’s new feature film unravels with excruciatingly slow pace.
Interview: Steve J. Allen tumbles down the rabbit hole of time
The musician speaks candidly about time and his seven-year hiatus.
Review: ‘DASHCAM’ proves to be a suffocatingly tense thriller
Christian Nilsson’s new feature keeps character and story very low-scale.
Interview: Jane N the Jungle uncovers a cleansing power
The indie rock band unlocks a superstar glow.
Review: ‘Seance’ pays its respects to messy late ’90s teen slashers
Simon Barrett’s directorial feature debut feels ripped right out of the Urban Legend playbook.
Review: ‘V/H/S/94’ delivers creepy chills and graphic thrills
The latest V/H/S entry is mixed, yet will crawl under your skin just the same.
Record Revue: Mickey Guyton, The Blue Iris, and Jake Wesley Rogers
With the third edition of a new review series, we zoom in on the work of Mickey Guyton, The Blue Iris, and Jake Wesley Rogers.
Review: ‘The Influencer’ outrageously satirizes, well, influencer culture
Meghan Weinstein’s new feature film is outlandish and cutting.
Premiere: Brett Altman celebrates spiritual ‘Beauty’
The singer-songwriter digs far below the surface to celebrate inner beauty.
Review: ‘The Good Couple,’ a sharp horror short
Robert Gregson’s new short horror film chills to the bone.
