Review: ‘The Nightshifter’ mines betrayal, revenge & grief into poetic tragedy
Shudder’s latest exclusive blood-soaked thriller proves to be downright chilling.
Horror Movies
Review: ‘The Ranger,’ a punk bloodfest with long-toothed bite
New to Shudder, the punk-rock slasher is high on blood, low on character.
Review: Monster Party satiates our thirst for bloodlust
The lavish, sleek gorefest is high on thrills and chills (and an impressive body count).
Review: LIZZIE ruthlessly slow-cooks the Lizzie Borden legend
You’ve never seen the iconic murders quite like this.
Review: ‘Acts of Desperation’ cuts to root of human pain
The new crime thriller examines pain, misery, PTSD and the bottom of human despair.
Review: ‘Level 16’ levels up on machismo-bound dystopia
The dystopian thriller exposes layers of greed, exploitation and true pain.
Review: Davide Melini’s ‘LION’ will lick your bones clean
Melini’s psycho-thriller short film goes for fantastical tragedy and redemption.
5 slasher films that defined the genre
We take a look at five of the most influential slasher films in history.
Review: ‘1st Summoning’ is a bewitching slow-burn
New horror flick combs found-footage horror for a thrilling new reinvention.
Interview: Chantelle Albers dissects sociopolitical implications of indie-horror flick, ‘The 6th Friend’
Albers discusses new slasher flick, womanhood, trauma and the toxicity of fame.
Review: ‘The 6th Friend’ examines the horrors of trauma & fame
The indie-horror flick, distributed through The Asylum, stars Jamie Bernadette and Chantelle Albers and deals heavily in trauma, recovery and fame.
Interview: Brooke Lewis slices her way through the patriarchy
Scream Queen Brooke Lewis discusses being a woman in entertainment and a slew of upcoming projects.
Child’s Play, a beleaguered franchise eyes a necessary facelift
B-Sides & Badlands revisits the entire Child’s Play franchise and makes a case for the upcoming 2019 remake.
Black Christmas, a grueling art-piece of male aggression & female power
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark’s 1974 slasher.
