Category: Horror Movies
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Unnamed Footage Festival 2025: ‘The Lost Episode’ offers grim ending to a police ride-along
Nick Wernham's offering is as grim as they get.
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Unnamed Footage Festival 2025: ‘Dooba Dooba’ delivers demented dread
Ehrland Hollingsworth delivers the goods on his sophomore feature.
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Here are three feature films we’re most hyped to see at Unnamed Footage Festival 2025
This year's festival promises all the chills and thrills.
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Review: ‘What Happened to Suzy?’ keeps you on the edge of your seat
James Ersted's new film is one helluva mystery.
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Review: found footage film ‘UrbEx’ soaks you in paranoia
Bill Howard's latest offering offers up plenty of tension.
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Review: ‘Get Away’ swerves when you least expect it
Steffen Haars' new feature is the year's first big surprise.
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Review: ‘Eat the Night’ delivers a sucker punch ending
Caroline Poggi and Jonathan Vinel's sophomore effort goes for the jugular.
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Black Christmas, a grueling art-piece of male aggression & female power
Editor-in-chief Jason Scott examines the sociopolitical importance of Bob Clark's 1974 slasher.
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Review: ‘Quantum Suicide’ collapses into itself
Gerrit Van Woudenberg's debut shows great promise, despite its many cracks.
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Review: Itch! offers poignant psychological terror
Bari Kang's new feature delivers emotional poignancy.
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Review: ‘You Are Not Me’ delivers taut storytelling and eerie Christmas scares
Marisa Crespo and Moisรฉs Romera's new queer horror delivers on all fronts.
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Review: ‘Pater Noster and the Mission of Light’ casts a hypnotic aura
Christopher Bickel's new film delivers bold creative choices.
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Review: ‘Hunting Matthew Nichols’ spins chilling mystery
Markian Tarasiuk's latest offering explores a decades-old cold case.
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Review: ‘The Creep Tapes’ delivers all the chills you could want
Patrice Brice and Mark Duplass' new TV series hits a homerun.
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Review: ‘Solvent’ tosses Nazism into the pits of hell
Johannes Grenzfurthner delivers bold body horror.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…