Month: February 2020
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Essay: Why Leigh Whannell’s ‘The Invisible Man’ moved me to tears
A re-imagination of H.G. Wells' iconic novel explores domestic violence, paranoia, and escape.
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Taste Test: Aaron Taos admits full-stop, ‘I just fell in love with my ex’
The singer-songwriter delivers another standout single.
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Freshly Squeezed, Vol. 128: Lady Gaga, MALKA, Rue Snider & more
Enjoy new songs from Astrid S, Tristen, Sikk Ivy, Towne, Jaime Wyatt, Minor Powers, and more!
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Taste Test: Alicia Blue honors Lauren Ruth Ward with new song, ‘Queen of Echo Park’
The singer-songwriter celebrates a good friend and musician on a new track.
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Taste Test: Pete Gardiner polishes up the ‘Bourbon and the Truth’
The folksy rabble-rouser delivers a more polished recording of his political teardown.
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Taste Test: Sam Varga cries ‘Mayday’
The singer-songwriter wields humor to tackle a bout of depression.
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Taste Test: Holden Laurence tries to tame the ‘Wild Horses’
The indie-rock storyteller crafts a stunning, tragic story song.
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Taste Test: Subterranean Street Society let go of the past with ‘So Sorry’
The blues band finally learns to let the past go.
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Premiere: Fruition time warp to the 1939 World’s Fair in new video, ‘Nothing More Than Spinning’
The Oregon band unearth actual archival footage for their new visual.
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The Singles Bar: Smashing Birds drift away just like elusive ‘Spirits’
The electronic group find meaning and light in death.
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Taste Test: Anthony Da Costa props his ‘Feet on the Dashboard’
The Texas musician invites the listener on quite an enveloping journey.
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Taste Test: Whatever We Are feel the rush with new song, ‘Old Car’
The electro-pop band learn to push through the pain on a new song.
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Taste Test: Limón Limón recapture dreamy bliss of ‘July in Sydney’
The pop duo wander between various dream-like states.
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Taste Test: Neon Dreams rediscover life’s beauty in playful new video, ‘Turn Back Now’
The pop duo engage with struggle for a new finger-spanning, whistle-laden anthem.
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Review: ‘Thorns for Flowers’ pricks the skin
The indie thriller mixes genres with a rich eye for '70s style filmmaking.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…