Out of Fantastic Fest, Alex Schulman’s Adult Supervision tests the limits of teen bullying and the complacency of adults to allow it to keep happening. Three parents, Bill (Gustaf Skarsgรฅrd),
Out of Fantastic Fest, Alex Schulman’s Adult Supervision tests the limits of teen bullying and the complacency of adults to allow it to keep happening. Three parents, Bill (Gustaf Skarsgรฅrd),
If you’re not subscribed to Screambox, WHAT ARE YOU EVEN DOING?! It’s a low key banger of a streaming service with some criminally underseen gems and essential new release. For
“We ended two months ago, at least in my head,” admits Eva Rose. In her new song “Give Me a Good Reason,” she struggles with breaking up with her lover.
With Halloween season well underway, we need as many vampire tales as we can get. With their new song/video “Yum Yum,” CyberJesus stage a vampiric epic about a brood of
Brian Walker‘s “Venom” gets the blood pumping. You wish you were getting lost in the strobe neon lights on the dance floor of some dirty club in New York City.
Grief comes back in waves when you least expect it. With their new song “Mazda 5,” Subterranean Street Society reflect on the passing of a late friend. A band mate
Life is packed with twists, turns, and forks in the road. Americana singer-songwriter J. Killen positions his new song “White Light” smack dab in the middle of a gravel road,
There’s danger in being vulnerable. It takes a great amount of trust to cross that threshold. With “Willing to Die,” pop conjurer Bryce Xavier invites the listener through a glass
Fright Years‘ “Dye Star” wades through the chest-deep water until arriving at the person they truly are. It glistens underneath a sharply rock edge that pulverizes the listener awake. We
Writer/director Salvador Medina crafts a somber meditation on human relationships with his new feature film, Together Till the End. Billed as a zombie film, the story blossoms from an apocalyptic
Out of Fantastic Fest, Gregg Bishop’s The Heretiks mixes the camp of Hocus Pocus with the sinister bite of The Witch. Accomplished screenwriting team Ben Collins and Luke Piotrowski (2022’s
Out of Fantastic Fest, Cody Calahan’s Death of a Yellow Bird strikes the perfect balance between horror and emotion. The film nimbly zeroes in on the end-of-life experienceโthe regrets that
Out of Fantastic Fest, Rocko Zevenbergen’s Flapjax delivers all the goopy goodness you could possibly want (think: Society meets The Fly), but the humor goes absolutely nowhere. In fact, the
Out of Fantastic Fest, Jorge Thielen Armand’s Death Has No Master turns the vintage ’70s style and filmmaking up to 100. But the stunningly grainy and intoxicating visual veneer does
Out of Fantastic Fest, Nick Simon’s What Happened to Doris? shatters the real-life paranormal case of Doris Bither, who claimed an unseen entity raped her. In style and visual aesthetic,