It’s hard to be a millennial in ‘Benny Loves You’
Karl Holt’s horror comedy takes to task pressures placed on millennials.
Bee Delores
Editor-in-Chief of the Badlands, spinning those B-Sides. Love Parks & Rec. Addicted to high-priced coffee drinks, alt-country and synth-pop, and never know when to quit. Got three cats named Jake, Olivia and Fitz --and they don't like you very much.
Review: ‘The Reckoning,’ a fine showcase for Charlotte Kirk
Neil Marshall’s latest feature tries to make a statement about age-old misogyny.
Review: short film ‘Filtered’ & creepy filters
Vincenzo Nappi’s new short film fits snuggly in the same universe as ‘Host.’
Essay: tragedy and triumph of pop stardom in ‘Bloodthirsty’
Amelia Moses’ latest feature examine hunger for fame.
Review: the terror of sleep paralysis in ‘Come True’
Anthony Scott Burns’ new film is a perfect slice of sleep paralysis.
Review: Matthew Danger Lippman’s ‘Touchdown USA’ EP is a superb static shock
The indie-rock musician goes hard into the pavement with an adventurous new set.
Review: ‘The Oak Room,’ a testament to the sheer power of good stories
Cody Calahan’s new feature film hits hard on the importance of stories in our lives.
Review: ‘Train to Busan Presents: Peninsula’ aims to capture original glory
The follow-up to Yeon Sang-ho landmark Train to Busan attempts to recapture the original’s magic.
Review: Morgan Wade’s heart-torn, lovelorn debut record, ‘Reckless’
Wade’s debut record drenches in pain and wisdom.
Review: ‘The Stylist,’ a voluptuous lock of disturbia
Jill Gevargizian’s new horror film taps into suffocating loneliness.
Premiere: Seth Samuelson Cocquit waxes nostalgic about the past in ‘Old Timer’ video
The Americana singer-songwriter pieces together vintage and new footage.
Review: ‘Dreamcatcher’ fuses high-style with commentary on the music industry
Jacob Johnston tosses his hat into the slasher ring with his new feature.
Taste Test: Dance Yourself Clean & Trenton wake up to relationship’s toxicity on ‘Upside Down’
The producing duo enlist Trenton for a new collab.
Taste Test: Almost Barely longs for nights out with ‘Just for Tonight’
The pop newcomer plants his flag with a surprising debut single.
Review: ‘Lucky’ is fierce, unapologetic, and glorious
Natasha Kermani’s new film explores womanhood in the patriarchy.
