Essay: tragedy and triumph of pop stardom in ‘Bloodthirsty’
Amelia Moses’ latest feature examine hunger for fame.
Amelia Moses’ latest feature examine hunger for fame.
Anthony Scott Burns’ new film is a perfect slice of sleep paralysis.
Cody Calahan’s new feature film hits hard on the importance of stories in our lives.
The follow-up to Yeon Sang-ho landmark Train to Busan attempts to recapture the original’s magic.
Jill Gevargizian’s new horror film taps into suffocating loneliness.
Jacob Johnston tosses his hat into the slasher ring with his new feature.
Natasha Kermani’s new film explores womanhood in the patriarchy.
The new indie film displays great understanding of mood and character.
Keith Thomas’ directorial debut goes hard with mood and atmosphere.
Rose Glass’ directorial debut is a masterclass of storytelling, drenched in trauma and religious extremism.
Jennifer’s Harrington’s newest feature explores desperation in the online world.
Director David Weiner expands the conversation about horror’s defining decade.
Nicholas Ashe Bateman’s directorial debut offers up both life’s beauty and tragedy with excellence.
Nora Unkel’s debut feature looks good on paper, yet doesn’t quite deliver.
Kourosh Ahari’s directorial debut is quite an impressive piece of storytelling.