Category: Horror Movies
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Premiere: Pablo Parรฉs’ ‘Pussycake’ gets psychedelic in new clip
Director Pablo Parรฉs invites the viewer into a doozy 'Motel Hell' world.
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Review: ‘The Andy Baker Tape’ tackles collective loneliness and influencer culture
Bret Lada's new found footage film supplies plenty of irresistible scares.
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Review: Short film ‘Girls Night In’ guts the Bechdel test
Alison Robert's new short horror film dissects treatment of women in fiction
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Review: ‘Offseason’ is a spiritual remake of ‘Carnival of Souls’
Mickey Keating's new feature is heavy on style and theme.
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Review: ’18 And A Half’ runs high on aesthetic fumes
Willa Fitzgerald shines in director Dan Mirvish's new feature.
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Review: ‘Air Doll’ tracks a sex doll’s existential crisis
Hirokazu Kore-eda's long-awaited film has finally arrived in the states.
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21 Favorite Horror Films Of 2021
2021 was a treasure trove of horror treats. These are our favorites.
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Review: ‘Time Now’ confronts grief with a soft poignancy
Spencer King's new feature film unravels with excruciatingly slow pace.
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Review: ‘DASHCAM’ proves to be a suffocatingly tense thriller
Christian Nilsson's new feature keeps character and story very low-scale.
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Review: ‘Seance’ pays its respects to messy late ’90s teen slashers
Simon Barrett's directorial feature debut feels ripped right out of the Urban Legend playbook.
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Review: ‘V/H/S/94’ delivers creepy chills and graphic thrills
The latest V/H/S entry is mixed, yet will crawl under your skin just the same.
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Review: ‘The Influencer’ outrageously satirizes, well, influencer culture
Meghan Weinstein's new feature film is outlandish and cutting.
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Review: ‘The Good Couple,’ a sharp horror short
Robert Gregson's new short horror film chills to the bone.
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FrightFest 2021: ‘When the Screaming Starts,’ ‘Knocking,’ ‘Night Drive,’ and ‘Killer Concept’
FrightFest 2021 delivered in more ways than one.
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Fantasia Fest 2021: ‘The Sadness’ is a nasty, nihilistic bloodbath
Rob Jabbaz's feature directorial debut is not for the faint of heart.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…