Category: Horror Movies
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Review: ‘Super Happy Fun Clown’ joins horror’s killer clown tradition
Patrick Rea's new feature adds a new killer clown to horror tradition.
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Review: ‘Brave Rebel Army’ is a venomous takedown of campus rape culture
Michelle DโAlessandro Hatt's new short film is a doozy.
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Review: ‘Night of the Reaper’ fits in with such classic ’80s slashers as ‘He Knows You’re Alone’
Brandon Cristensen's new feature delights in creepy scares.
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Review: ‘Don’t Trip’ stumbles before leaping over the finish line
Alex Kugelman's debut film shows some promise.
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Brooklyn Horror 2025: ‘Crushed,’ a nihilistic and perverse film that lacks nuance and value
Simon Rumley's isn't worth your time.
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Review: ‘Fey’ is found footage gold
Madeline Doherty's feature film directorial debut chills to the bone.
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Brooklyn Horror 2025: ‘Dead Lover,’ ‘It Needs Eyes,’ ‘Parasomnia,’ & ‘Camp’
A round-up of films out of the Brooklyn Horror Film Festival.
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Brooklyn Horror 2025: ‘Abigail Before Beatrice’ nails the traumatic impact of cults
Cassie Keet knocks it out of the park with her second feature.
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Brooklyn Horror 2025: ‘Queens of the Dead’ is what camp is made of
Tina Romero leaves a very queer stamp on zombie films.
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Brooklyn Horror 2025: ‘Violence’ puts the pedal to the metal
Conor Marsden's feature directorial debut goes hard.
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ScreamFest 2025: ‘Theatre is Dead,’ ‘Damned If You Do,’ ‘Pitfall,’ ‘Love is the Monster,’ & ‘A Fishermen’s Tale’
Our final ScreamFest roundup features two must-see bangers.
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Review: ‘Jabberjaw’ is a reminder to never go camping in the woods
Luke Genton goes for simple scares with his latest feature.
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ScreamFest 2025: ‘Jimmy,’ ‘CognAItive,’ ‘The Dollmaker,’ & ‘The Devil Whispered My Name’
A round-up of four films out of ScreamFest 2025.
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ScreamFest 2025: ‘The Red Mask’ is a smash in the making
Ritesh Gupta's new feature is a delightful meta-slasher that turns everything on its head.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…