Category: Horror Movies
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Review: ’18 And A Half’ runs high on aesthetic fumes
Willa Fitzgerald shines in director Dan Mirvish's new feature.
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Review: ‘Air Doll’ tracks a sex doll’s existential crisis
Hirokazu Kore-eda's long-awaited film has finally arrived in the states.
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21 Favorite Horror Films Of 2021
2021 was a treasure trove of horror treats. These are our favorites.
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Review: ‘Time Now’ confronts grief with a soft poignancy
Spencer King's new feature film unravels with excruciatingly slow pace.
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Review: ‘DASHCAM’ proves to be a suffocatingly tense thriller
Christian Nilsson's new feature keeps character and story very low-scale.
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Review: ‘Seance’ pays its respects to messy late ’90s teen slashers
Simon Barrett's directorial feature debut feels ripped right out of the Urban Legend playbook.
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Review: ‘V/H/S/94’ delivers creepy chills and graphic thrills
The latest V/H/S entry is mixed, yet will crawl under your skin just the same.
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Review: ‘The Influencer’ outrageously satirizes, well, influencer culture
Meghan Weinstein's new feature film is outlandish and cutting.
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Review: ‘The Good Couple,’ a sharp horror short
Robert Gregson's new short horror film chills to the bone.
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FrightFest 2021: ‘When the Screaming Starts,’ ‘Knocking,’ ‘Night Drive,’ and ‘Killer Concept’
FrightFest 2021 delivered in more ways than one.
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Fantasia Fest 2021: ‘The Sadness’ is a nasty, nihilistic bloodbath
Rob Jabbaz's feature directorial debut is not for the faint of heart.
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Fantasia Fest 2021: ‘On the Third Day’ delights with fang-toothed fright
Daniel de la Vega's latest feature gives further meaning to trauma.
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Fantasia Fest 2021: ‘Hellbender,’ ‘Martyrs Lane,’ ‘Glasshouse,’ and ‘When I Consume You’
In our second feature film capsule roundup, we dive into dangers of the post-apocalyptic world, a coven, addiction, and grief.
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Fantasia Fest 2021: ‘#Blue_Whale’ documents suicidal ideation & dangers of social media
Anna Zaytseva's latest feature is a relentless portrayal of suicidal ideation and the role of social media in mental health.
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Fantasia Fest 2021: ‘The Righteous’ tests limits of faith, grief, and past sins
Mark O'Brien's feature film directorial debut is a knockout punch.
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Comments
This is one of my favorite horror comedies that's came out in a long time. It's the absolute perfect popcorn…
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…