Category: Horror Movies
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Review: ‘The Rental’ makes Airbnbs downright terrifying
Dave Franco's directorial debut is striking, emotional, and a bloody riot.
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Review: ‘Lake of Death’ shrouds trauma in eerie folklore
Arriving on Shudder, Nini Bull Robsahm impresses with some visual storytelling.
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Review: ‘The Beach House’ dabbles with genres to admirable effect
Hitting Shudder this week, Jeffrey A. Brown impresses with his directorial debut.
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Review: ‘Relic,’ an artful, devastating masterpiece
Arriving on VOD this week, Natalie Erika James' directorial debut is a fascination, emotional look at dementia.
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Review: ‘YUMMY’ bites deep with grisly gore
New to Shudder, the latest take on a zombie apocalypse is light on characters, heavy on blood, guts, and gore.
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My Horror Anatomy: Blake English bewitches with gnarly punk attitude
The pop/punk arrival harkens to several classic horror films for his twisted aesthetic.
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Review: Etheria Film Festival 2020 presents smart, terrifying & wondrous horror shorts
The 2020 film festival pivots to Shudder this year and features a smorgasbord of genre essentials.
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Review: ‘Scare Package’ is bloody (and fucking) hilarious
Now on Shudder, this anthology series pokes fun at horror and genre tropes.
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Review: ‘Warning: Do Not Play’ twists genres and expectations
New to Shudder, the South Korean film emerges as an unsettling and captivating piece of horror.
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Review: ‘Confessional,’ a claustrophobic and tortured affair
New to Shudder (May 28), this indie thriller goes hard on concept.
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Review: ‘Backlash’ burns slow and hot
The short horror film draws upon a distinct Fargo style in only 13 minutes.
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Mark Patton’s ‘Scream, Queen!,’ ‘A Nightmare on Elm Street 2: Freddy’s Revenge’ & finding queerness
Actor Mark Patton confronts his past in a new documentary called 'Scream, Queen! My Nightmare on Elm Street.'
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My Horror Anatomy: E. Alvin mines five horror classics for ‘Appetite’ video
The horror-pop newcomer draws to five horror classics for his new visualizer.
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Review: ‘Beneath Us’ digs up American horrors for undocumented workers
Max Pachman's directorial debut is an impressive and timely feat.
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Review: ‘DreamKatcher’ heats up to a mildly rolling boil
Kerry Harris' debut features hits VOD on April 28.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…