Category: Horror Movies
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Review: ‘The Room’ squeezes desperation dry
New to Shudder, The Room explores deep desires, pain, and magical wishes.
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‘Promising Young Woman’ through a very ‘Toxic’ lens
Musician Paolo Costanzo of Italian orchestral quartet Archimia breaks down his version of "Toxic."
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Interview: Todd Spence & Zak White tap into gutting terror with three-minute ‘Fear Wish’
A new three-minute horror short goes for big thrills and cool style.
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Essay: Why Leigh Whannell’s ‘The Invisible Man’ moved me to tears
A re-imagination of H.G. Wells' iconic novel explores domestic violence, paranoia, and escape.
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Review: ‘Thorns for Flowers’ pricks the skin
The indie thriller mixes genres with a rich eye for '70s style filmmaking.
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Review: ‘Dogs Don’t Wear Pants’ traumatizes & then tantalizes
New on Shudder, the Finnish film explores trauma and the BDSM world.
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Review: ‘Bliss,’ a harsh vampiric rager
Now streaming on Shudder, this new tale on vampirism is a two-ton sledgehammer.
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Review: ‘Feedback’ loops Me Too advocacy with grim reality
The indie-thriller tries to make a statement but does it work?
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Review: Netflix’s ‘Dracula’ mini-series is a hyper-sexual feast
Now streaming, the new incarnation of the iconic vampire gets new, glossy updates.
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10 Favorite Horror Movies & TV Shows of 2019
2019 was a banner year for horror, and here are our favorites.
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Review: ‘When We Dance the Music Dies’ is a psychological disturbia
The one-hour indie thriller explores a girl's mysterious disappearance and the impact of trauma.
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Essay: ‘Black Christmas’ 2019 is a world-burning triumph.
Writer April Wolfe and writer/director Sophia Takal reimagine the 1974 classic into a victory statement.
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Review: ‘NEKROTRONIC’ is an epic, colorful & action-packed riot
Hitting Shudder this week, the film mixes vast horror genres into one bubbling melting pot.
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‘Creepshow,’ Season 1, each story ranked
From By the Silver Water of Lake Champlain to Times is Tough in Musky Holler, we rank the show's first season.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…