Review: Gwen Sebastian torches love, pain & death on ‘Once Upon a Time in the West: Act I’
Sebastian delivers the best album of her career.
Reviews
Review: BANNERS ignites ‘Empires on Fire’ with new EP
BANNERS continues building his impressive empire.
Review: Thorp Jenson snapshots the Heartland on debut album, ‘Odessa’
Jenson sets the bar high on his debut album.
Review: Dori Freeman weaves Appalachian tradition on ‘Letters Never Read’
Freeman excels on all fronts with her sophomore album.
Review: 5j Barrow feast on love and pain with ‘The Journey, Vol. 1’
The folk duo flex heartfelt songwriting and vast stylistic depth.
Review: Stephanie Quayle kicks up dust with new album, ‘Love the Way You See Me’
Quayle proves her worth in blood, sweat and tears.
Review: Midland shine bright as their rhinestone suits on debut, ‘On the Rocks’
Midland’s debut album is a timewarp to the early 1990s.
Review: The Lone Bellow ‘Walk Into a Storm’ on third album
The Americana trio continue to impress.
Review: Erin Enderlin tells storybook tales on ‘Whiskeytown Crier’
Enderlin drops one of the best albums of 2017.
Review: Joseph of Mercury walks dangerously on self-titled EP
Joseph of Mercury wields his Bowie influence on six songs.
Review: Lilly Hiatt bombs boredom, breakups & bullshit on ‘Trinity Lane’
Hiatt explores herself and the world on her third album.
Review: Loreen exposes everything on new ‘Nude’ EP
She finally makes her long-awaited return.
Review: Boy Band rise up from the mud on debut EP, ‘Begin’
The folk-pop trio shatter the glass ceiling with fearlessness.
Review: Alex Williams exposes fearless vulnerability on debut album, ‘Better Than Myself’
Williams bows with one of 2017’s best.
Review: Smallpools study ‘The Science of Letting Go’ on new EP
The electronic trio team up for music and chill.
