Category: Reviews
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Review: Tucker Riggleman & the Cheap Dates mine grief & misery with debut record, ‘Alive and Dying Fast’
The West Virginia alt-country band make quite the splash with their debut record.
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Review: ‘The Night’ leaves quite a nightmarish impression
Kourosh Ahari's directorial debut is quite an impressive piece of storytelling.
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Review: ‘The Exception’ digs under the fingernails of office drama
The new Danish psychological thriller blends genres into a murderous tale of gaslighting.
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Review: ‘Bright Hill Road’ captures tragedy of alcoholism
Robert Cuffley's new film perfectly explores effects of alcoholism.
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Review: ‘GO/DON’T GO’ scrawls poetic letter about grief
Alex Knapp's directorial debut arrives as a solid character piece around loss and grief.
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Trauma’s aftershocks, the art of sacrifice, and ‘Promising Young Woman’
Emerald Fennell's directorial debut is flashy and goes for a knockout punch.
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Review: ‘A Creepshow Holiday Special’ tastes like stale Christmas cookies
Now streaming on Shudder, a new Christmas special mixes genre delight and werewolves.
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Review: ‘Hunter Hunter’ yanks the rug right from under you
From director Shawn Linden, survivalist thriller subverts every expectation.
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Review: ‘Visiteur’ leans hard into contagion territory
Filmmaker David Teixeira swerves with another solid entry.
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Review: ‘Beyond Hell’ swings big with some wicked makeup effects
Alan Murray's new feature film displays bold concepts and some nightmarish imagery.
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Review: Cf Watkins devastates the senses with second record, ‘Babygirl’
The American singer-songwriter explores life, death, and loss on her new album.
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‘Happiest Season’ is a problematic nightmare
Now streaming on Hulu, what could have been a fabulous queer Christmas film is actually quite harmful.
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‘Twitch of the Death Nerve’ (or ‘A Bay of Blood’) & its messy slasher aesthetic
Mario Bava's giallo-slasher has been reassessed as the grandfather of the slasher genre.
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Review: The Millennial Club cast irresistible glow on new EP, ‘summer nights’
The indie-pop band swerve with moody setpieces on new EP.
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Essay: Why I love ‘Freaky’ (and its heartfelt gender politics)
Christopher Landon's new slasher flick is a queer wonderland.
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Comments
This is one of my favorite horror comedies that's came out in a long time. It's the absolute perfect popcorn…
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…