Review: Matthew Danger Lippman’s ‘Touchdown USA’ EP is a superb static shockReview: Matthew Danger Lippman’s ‘Touchdown USA’ EP is a superb static shock
The indie-rock musician goes hard into the pavement with an adventurous new set.[...]
Category: Reviews
Review: ‘The Oak Room,’ a testament to the sheer power of good storiesReview: ‘The Oak Room,’ a testament to the sheer power of good stories
Cody Calahan's new feature film hits hard on the importance of stories in our lives.[...]
Review: ‘Train to Busan Presents: Peninsula’ aims to capture original gloryReview: ‘Train to Busan Presents: Peninsula’ aims to capture original glory
The follow-up to Yeon Sang-ho landmark <em>Train to Busan</em> attempts to recapture the original's magic.[...]
Review: Morgan Wade’s heart-torn, lovelorn debut record, ‘Reckless’Review: Morgan Wade’s heart-torn, lovelorn debut record, ‘Reckless’
Wade's debut record drenches in pain and wisdom.[...]
Review: ‘The Stylist,’ a voluptuous lock of disturbiaReview: ‘The Stylist,’ a voluptuous lock of disturbia
Jill Gevargizian's new horror film taps into suffocating loneliness.[...]
Review: ‘Dreamcatcher’ fuses high-style with commentary on the music industryReview: ‘Dreamcatcher’ fuses high-style with commentary on the music industry
Jacob Johnston tosses his hat into the slasher ring with his new feature.[...]
Review: ‘Lucky’ is fierce, unapologetic, and gloriousReview: ‘Lucky’ is fierce, unapologetic, and glorious
<p>Natasha Kermani's new film explores womanhood in the patriarchy.</p>[...]
Review: ‘Death Trip’ is a gem of indie filmmakingReview: ‘Death Trip’ is a gem of indie filmmaking
<p>The new indie film displays great understanding of mood and character.</p>[...]
Review: ‘The Vigil’ reframes the shemira, a ritual for the deadReview: ‘The Vigil’ reframes the shemira, a ritual for the dead
<p>Keith Thomas' directorial debut goes hard with mood and atmosphere.</p>[...]
Review: the perversity of religion through the eyes of ‘Saint Maud’Review: the perversity of religion through the eyes of ‘Saint Maud’
<p>Rose Glass' directorial debut is a masterclass of storytelling, drenched in trauma and religious extremism.</p>[...]
Review: ‘Shook’ rattles loose our collective desperation to be likedReview: ‘Shook’ rattles loose our collective desperation to be liked
<p>Jennifer's Harrington's newest feature explores desperation in the online world.</p>[...]
Review: ‘In Search of Darkness’ antes up with its second partReview: ‘In Search of Darkness’ antes up with its second part
<p>Director David Weiner expands the conversation about horror's defining decade.</p>[...]
Review: Aaron Lee Tasjan burns bright through the ether with ‘Tasjan! Tasjan! Tasjan!’Review: Aaron Lee Tasjan burns bright through the ether with ‘Tasjan! Tasjan! Tasjan!’
<p>Tasjan goes bolder and brighter with his fourth studio record.</p>[...]
Review: ‘The Wanting Mare’ is an exquisite storytelling featReview: ‘The Wanting Mare’ is an exquisite storytelling feat
<p>Nicholas Ashe Bateman's directorial debut offers up both life's beauty and tragedy with excellence.</p>[...]
Review: Mary Shelley Biopic, ‘A Nightmare Wakes,’ stumbles into a deep snoozeReview: Mary Shelley Biopic, ‘A Nightmare Wakes,’ stumbles into a deep snooze
Nora Unkel's debut feature looks good on paper, yet doesn't quite deliver.[...]
