Category: Horror Movies
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Fantasia Festival 2025: ‘Lucid,’ ‘Stinker,’ ‘Haunted Moutains: The Yellow Taboo,’ & ‘I Live Here Now’
In this capsule roundup, we gather together some disturbing and colorful Fantasia Fest treats.
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Fantasia Festival 2025: ‘Burning’ causes a horrifying blaze
Radik Eshimov's new film is shockingly devastating.
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Fantasia Festival 2025: ‘Mother of Flies,’ a gloriously creepy piece of folk horror
The Adams Family offers an arresting, deeply personal piece.
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Fantasia Festival 2025: ‘Sweetness’ examines toxic parasocial relationships
Higgins' first feature film goes hard into delusional fan behavior.
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Fantasia Festival 2025: ‘Hellcat’ pounces with raw intensity
Bodell's new feature sinks its claws into you.
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Fantasia Festival 2025: ‘Hold the Fort’ is a laugh riot
William Bagley's new feature is a hoot 'n a half.
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Review: ‘All Alone Together’ digs its teeth into a mental health crisis
Maximus Jenkins' new film goes for the 1-2 sucker punch.
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Revew: ‘Hell House LLC: Lineage’ perfectly caps the found footage series
Cognetti gives the series a haunting conclusion.
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Review: ‘A Whisper, A Scream, and A Cut to Black’ marries found footage with slasher tendencies
Samuel B.'s new future expertly combines two styles into a terrifying result.
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Fantasia Fest 2025: Here are 5 films we’re most excited to see
From absurdism to folk horror, these are the 5 horror films we're most excited to see.
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Review: ‘Eye for an Eye’ is a real sinister treat
Colin Tilley's directorial debut feature goes to dark places.
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Review: ‘Freelance’ captures the grim reality of freelancing
John Balazs' latest feature goes for shock and awe.
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Review: ‘Shadow of God’ fails to generate an enlightened take on religious horror
Michael Peterson's new feature sadly treads water.
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Review: ‘Best Wishes to All’ questions the state of happiness
Yรปta Shimotsu digs deep into humanity for his latest feature.
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Overlook Film Festival 2025: ‘Redux Redux’ reinvents revenge
The McManus Brothers thrill the audience with a genre exercise.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…


[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…