Category: Horror Movies
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Review: ‘Freelance’ captures the grim reality of freelancing
John Balazs' latest feature goes for shock and awe.
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Review: ‘Shadow of God’ fails to generate an enlightened take on religious horror
Michael Peterson's new feature sadly treads water.
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Review: ‘Best Wishes to All’ questions the state of happiness
Yรปta Shimotsu digs deep into humanity for his latest feature.
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Overlook Film Festival 2025: ‘Redux Redux’ reinvents revenge
The McManus Brothers thrill the audience with a genre exercise.
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Review: Short film ‘RAT!’ tears down toxic parasocial relationships
Neal Suresh Mulani's short goes hard.
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Review: ‘Screamboat’ triumphantly sets sail
Steven LaMorte is the latest filmmaker to take a turn at the Steamboat Willie IP wheel.
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Unnamed Footage Festival 2025: ‘What I Remember’ explores gender and a tragic disappearance
Alex Hera stretches her short film into a full-length feature.
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Unnamed Footage Festival 2025: ‘McCurdy Point’ casts a haunting genre spell
Jeremy Brothers and Nick Paonessa's new film scares up a good time.
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Unnamed Footage Festival 2025: ‘The Rebrand’ sets fire to influencer culture
The Kaye Adelaide feature pours gasoline on influencer culture.
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Review: ‘Marshmallow’ is perfect summer camp fun
Daniel DelPurgatorio's feature debut flips the script on the slasher.
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Unnamed Film Festival 2025: The Unsolved Love Hotel Murder Case Incident should have been forgotten
Dave Jackson and Guy's new collaboration fails to terrify.
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Unnamed Footage Festival 2025: ‘Tinsman Road’ swerves and stalls in thriller territory
Robbie Banfitch's sophomore effort doesn't quite live up to The Outwaters.
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Unnamed Footage Festival: ‘Nightfall: A Paranormal Investigation’ commits the worst crime of all โ being boring
Myles McEwen and Ripley Stevens attempt melding traditional shots with found-footage to lackluster results.
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Unnamed Footage Festival 2025: ‘Dream Eater’ consumes and spits you out
Alex Williams, Jay Drakulic, and Mallory Drumm achieve a truly unsettling picture.
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Unnamed Footage Festival 2025: ‘The Lost Episode’ offers grim ending to a police ride-along
Nick Wernham's offering is as grim as they get.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…