Category: Horror Movies
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Fantasia Fest 2021: ‘On the Third Day’ delights with fang-toothed fright
Daniel de la Vega's latest feature gives further meaning to trauma.
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Fantasia Fest 2021: ‘Hellbender,’ ‘Martyrs Lane,’ ‘Glasshouse,’ and ‘When I Consume You’
In our second feature film capsule roundup, we dive into dangers of the post-apocalyptic world, a coven, addiction, and grief.
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Fantasia Fest 2021: ‘#Blue_Whale’ documents suicidal ideation & dangers of social media
Anna Zaytseva's latest feature is a relentless portrayal of suicidal ideation and the role of social media in mental health.
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Fantasia Fest 2021: ‘The Righteous’ tests limits of faith, grief, and past sins
Mark O'Brien's feature film directorial debut is a knockout punch.
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Fantasia Fest 2021: ‘The Last Thing Mary Saw’ depicts tragic queer love story
Edoardo Vitaletti's debut feature film is quite an impressive, moving feat.
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Fantasia Fest 2021: ‘We’re All Going to the World’s Fair,’ ‘Tin Can,’ and ‘Baby, Don’t Cry’
In our first feature film capsule roundup, we dive into dangers of the internet, relationships, and the future.
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Fantasia Fest 2021: ‘Sexy Furby,’ ‘Night of the Living Dicks,’ ‘The Lovers,’ and ‘Fruit’
Our first roundup of short films features... dicks. Lots of dicks.
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Fantasia Fest 2021: ‘Brain Freeze’ chomps hard on social issues
Julien Knafo's new feature is a delightful, thoughtful romp.
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Fantasia Fest 2021: ‘Kratt,’ a demented moralist fable
Rasmus Merivoo's new feature retools the kratt myth for a wonderful new tale.
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Review: Queer horror short film ‘Hangry’ grinds bigotry into a fresh meat feast
The Bola Ogun-directed short film is scrumptious.
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Fantasia Fest 2021: ‘Agnes’ swaps exorcism tropes for sharp poignancy around death and grief
Mickey Reece's new feature film is not what meets the eye.
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Review: ‘The Boy Behind the Door,’ a masterclass of terror
Justin Powell and David Charbonier's new feature film is a nail-biting treat.
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Here are 11 films weโre most hyped to see at Fantasia 2021
A breakdown of 10 must-see feature horror films
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Delusion and pain in ‘Saint Maud’ & ‘Censor’
Both films depict the tragedy which lies with those who never recovery from trauma
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The doom of growing old in ‘The Amusement Park’ & ‘I Care A Lot’
George A. Romero's long-lost "film" The Amusement Park presents aging as a nightmarish wonderland.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…