Category: Horror Movies
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Review: ‘The Djinn’ splinters the senses
David Charbonier and Justin Powell's second feature film is a masterclass of low-key storytelling.
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Review: cycles of trauma in ‘Sound of Violence’
Alex Noyer's directorial debut examines trauma, pain, and the birth of a monster.
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Review: ‘The Reckoning,’ a fine showcase for Charlotte Kirk
Neil Marshall's latest feature tries to make a statement about age-old misogyny.
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Review: short film ‘Filtered’ & creepy filters
Vincenzo Nappi's new short film fits snuggly in the same universe as 'Host.'
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Essay: tragedy and triumph of pop stardom in ‘Bloodthirsty’
Amelia Moses' latest feature examine hunger for fame.
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Review: the terror of sleep paralysis in ‘Come True’
Anthony Scott Burns' new film is a perfect slice of sleep paralysis.
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Review: ‘The Oak Room,’ a testament to the sheer power of good stories
Cody Calahan's new feature film hits hard on the importance of stories in our lives.
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Review: ‘Train to Busan Presents: Peninsula’ aims to capture original glory
The follow-up to Yeon Sang-ho landmark Train to Busan attempts to recapture the original's magic.
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Review: ‘The Stylist,’ a voluptuous lock of disturbia
Jill Gevargizian's new horror film taps into suffocating loneliness.
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Review: ‘Dreamcatcher’ fuses high-style with commentary on the music industry
Jacob Johnston tosses his hat into the slasher ring with his new feature.
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Review: ‘Lucky’ is fierce, unapologetic, and glorious
Natasha Kermani's new film explores womanhood in the patriarchy.
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Review: ‘Death Trip’ is a gem of indie filmmaking
The new indie film displays great understanding of mood and character.
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Review: ‘The Vigil’ reframes the shemira, a ritual for the dead
Keith Thomas' directorial debut goes hard with mood and atmosphere.
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Review: the perversity of religion through the eyes of ‘Saint Maud’
Rose Glass' directorial debut is a masterclass of storytelling, drenched in trauma and religious extremism.
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Review: ‘Shook’ rattles loose our collective desperation to be liked
Jennifer's Harrington's newest feature explores desperation in the online world.
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Comments
[…] However, his songs here are as relevant and crushing as ever, as queer non-binary music critic Bee Delores recently…
[…] parental instinct at its core, which Ehrlich argued lands even through the film’s excesses. B-Sides & Badlands described the…