Steven Espinoza’s Go to Sleep may be a bit of a, well, sleeper. A FoundTV original, the film follows a newly separated man suffering from sleepwalking. His midnight wanderings become
Steven Espinoza’s Go to Sleep may be a bit of a, well, sleeper. A FoundTV original, the film follows a newly separated man suffering from sleepwalking. His midnight wanderings become
For Pride Month 2026, B-Sides & Badlands isย raising money for The Trevor Project. Our celebration of queerness features interviews with filmmakers and artists, reviews of queer horror and albums, and
Debut singles serve a very crucial purpose: to cause a stir. With his debut song, “Time and Money,” singer-songwriter Tanner Lee Gray muses on transactional relationships, platonic and otherwise, and
There are just not enough Halloween comedies these days. With his finger on the very faint pulse, writer/director Jordan Rowe delights with his brand new micro-budget film, Hamilton House, which
Summer is just barreling ahead. With rising temperatures (and inflation), there’s no better place to beat the heat (and prices) than in your home with Shudder. This July looks to
“I don’t wanna watch while you suffocate,” colby! and Jady belt in their new collab. “Take What You Want” juices up a power-pop melody with intense and scorching lyrics about
Robbie Smith demonstrates that, once again, indie horror is where all the good stuff is. His new film, I Don’t Like It Here, co-written with Dashiell Arkenstone, marries the creep-out
As the single cover art suggests, Tiffany Thompson lights a fire to the past. She gathers around a freshly crackling campfire and rips pages from a book. “Burn, Burn, Burn”
As part of the 5 Albums That Made Me series, Patao shared the albums that have informed them and their work most.
The slasher boom of the 1980s was a special time for horror. The genre eventually moved on to other styles, but through the decades, the pendulum has swung back at
There’s something about a voice that slaps you across the face when you first hear it. Ryan Rickenbach crashes like a wrecking ball into the eardrums. When his voice swings
Liminal Horror is having a moment. In addition to Backrooms crashing the box office, entries like Exit 8 have stirred up plenty of conversation online. Now, Josh Lobo throws his
Screambox is a bit of a sleeper. Horror fans take it for granted, but in the last year, it’s been biting at Shudder’s heels. With its mid-summer lineup, the streaming
The moment the twang dips into “This Ain’t My First (Rodeo),” you know Dakoda Rollins isn’t messing around. The song fuels his new EP, 288 Troubadour, a high-voltage record that’s
They never tell you that grieving a relationship is a very real thing with a very real physiological impact. That’s the feeling quaking inside Plastic Harpoons‘ new song, “Haunt Me