Isabella Han-Bolelli confronts the feeling of not being “Asian Enough” with her new song. “How can I call myself Chinese when I butcher the five words of Mandarin I know?[...]
Reality is stranger than fiction these days. “In the grasslands, the fire is tall and proud,” sings Phil Jacob, known professionally as Psychic Lines. The eerie soundscape throbs with raindrops[...]
Sometimes, obsession takes root in your soul and blossoms into something dark and twisted. That’s the feeling of listening to Kennedy Taylor‘s “Burning on My Mind.” Banjo dances in the[...]
Remakes in horror have been a thing since the 1920s and ’30s. It’s strange when casual horror fans complain about remakes when they’ve always had a place in horror. Remakes[...]
Sex with an extraterrestrial being leads to freedom from anxiety and depression in Addison Heimann’s Touch Me. It’s akin to 2016’s The Untamed but super gay and super stylish. Aliens[...]
Songs like Todd Adelman‘s “This Rounds on Me” just make you feel all warm inside, as though you’ve taken a shot of whiskey and it’s quickly settling in your stomach.[...]
Shudder reigns supreme in horror streaming, as far as I’m concerned. There’s never a shortage of gripping and terrifying tales to behold. From its very first original, Coralie Fargeat’s Revenge,[...]
The time is now. To come together. To raise money. To burn the MAGA system to the ground. For Pride 2026, B-Sides & Badlands is raising money for The Trevor[...]
Spoilers afoot! Dacre Montgomery is at his most frightening when he effortlessly switches between the socially awkward Francis and the bloodcurdling psychopath Arthur Spevak. In Daniel Goldhaber’s Faces of Death[...]
Tehya yearns to feel the heat from a crush, but there’s nothing, not even a tiny spark. “Burn for Me” swims in the rising tides of unrequited love. Her voice[...]
Daniel Goldhaber’s Faces of Death reimagining (don’t call it a remake!) is easily one of my favorite remakes/reimaginings of all time (more on that soon…). It takes the source material[...]
Influencer Horror is an acquired taste. You’re either gonna love seeing the worst kinds of people get killed or be so repulsed by obnoxious content creators that you completely check[...]
There’s something beautifully haunting about Ryann Ross‘ “Irish Exit.” Its acoustic luminescence carves out a stunning and blinding sketch about love and scorn. “You don’t have to love me, if[...]
Spoilers afoot! There’s a single line of dialogue in Curry Barker’s Obsession that sums up the entire problem with men: “What would be so bad about being with me?” Bear[...]
Some of the best horror being made these days happens on the indie circuit. Cassie Keet’s Scream Therapy snuck under the radar, but I’ve been screaming about it ever since[...]
